PRESS
‘…. Claudia Robles Angel’s performance, for example, used wires that connected her brain to a system of projected images and sounds. What the audience received was a combination of pre-chosen images as well as the way that Angel’s brain was processing and reacting to them in real-time. The other performances had similar arrangements, but Angel’s was the most extreme: watching her, the body became a wired machine, producing cold sounds and abrupt visuals very unlike what we associate with the brain, or with human feelings… ” by Adela Yawitz Berlin Art Link
ENGLISH:
THE CREATORS (click here)
REUTERS (click here)
eContact! (interview) (click here)
ESPAÑOL:
FALLO DE SISTEMA (entrevista radio) (click here)
EL PEZ ELECTRICO: (entrevista)
OBJETIVO DIGITAL (entrevista)
UCV Valencia (click here)
FRANÇAIS
Annecy Culture (click here)
DEUTSCH:
Neue Zeitschrift Für Musik: Gerardo Scheige (click here)
Kölner Stadt Anzeiger: Jürgen Kisters (click here)
DUTCH:
by Nico Out (click here)
PUBLICATIONS
• -Robles-Angel, C.; Scherffig, L.; Birringer, J.; Seifert, U.; Schmidt, L.. Bio-medical Signals in Media Art ISEA 2017 Proceedings pages 720-29. ISBN 978-958-759-161-3.
• –ENERGIE WECHSEL –an artist-in-residence project curated by Dr. Uwe Rüth at the IK Foundation Flushing. 2016. ISBN 978-90-825344-05
• – Robles, C. 2015. Audiovisual: Perspectivas de una entidad indivisible. IDEAS SONICAS #14. CMMAS editor. pages 19 -23.
• – Zona de Convergencia at Museo de Arte Contemporáneo Bogotá. Online Catalogue ISSSUU
• – Robles, C. 2014. Audiovisual art: perspectives of an indivisible entity. CEC -eContact 15.4. This paper is available at: eContact15.4
• -Gernemann-Paulsen, A.; Robles Angel, C.; Seifert, U.; Schmidt, L.. Physical Computing and New Media Art – new challenges in events. 27. Tonmeistertagung, 2012, Proceedings (in print).
• -Robles, C. 2011. Creating Interactive Multimedia Works with Bio-data. NIME 2011 Proceeding Books ISSN: 2220 – 4792 / 2220 – 4806 /2220 -4814
• -Robles, C. 2011. EEG Data in Interactive Art. This paper is available at: ISEA2011
• -Robles, C. 2011. The Use of Bio-interfaces in Interactive Multimedia Works: Two Examples. BST-Body, Space and Technology Journal. VOL 10/01. Brunel University, UK (Online only) ISSN 1470-9120. BST Journal
• -Garavaglia, J., Robles, C. 2011. WOODEN WORLDS – Aesthetical and Technical aspects of Multimedia Performance using Real-time Interaction. This paper is available at: ISEA2011
• -Robles, C. Biofeedback and Choreography. Performative Science and Beyond, Involving the Process in Research, Hans. H. Diebner editor, Springer Verlag, 2006. pages 146 – 147. ISBN 978- 3- 211-33357-0
• -Grond F and Robles C. INTERMITTENT – a Generative Audio-Visual Installation. Performative Science and Beyond, Involving Process in Research, Hans. H. Diebner editor,Springer Verlag, 2006. pages 128 – 131. ISBN 978- 3-211-33357-0
• –Audiovisuelle Komposition junger Künstler: Rudolf Frisius und Ludger Brümmer im Gespräch mit Damon Lee, Pei-Zu Shi und Claudia Robles. Rudolf Frisius (Hg.) Hören und Sehen—Musik audiovisuell, Edited by Institut für Neue Musik und Musikerziehung Darmstadt. Band 45, Mainz. 2005